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 Pornografi Sebagai Sebuah Penyebab Perkosaan
 (PORNOGRAPHY AS A CAUSE OF RAPE)
 oleh:Diana E.H. Russell, PhD.
 
 Bagian Pertama
 
 

This version of "Pornography As a Cause of Rape" has been excerpted from my book, Against Pornography: The Evidence of Harm (Berkeley, California: Russell Publications, 1994). In addition to the material in this essay, this book includes over a hundred examples of pornographic pictures, each of which is accompanied by my analysis of the sexism and misogyny revealed in the photograph.

Table of Contents

Introduction: What is pornography?

Inconsistencies in definitions

The content of pornography

The circulation of major pornography magazines

Pornography as violence against women

Males' propensity to rape

A theory about the causative role of pornography

The meaning of "cause"

• The role of pornography in predisposing some males to want to rape

• The role of pornography in undermining some males' internal inhibitions against acting out the desire to rape

•  The role of pornography in undermining some males' social inhibitions

•  The role of pornography in undermining potential victims' abilities to avoid or resist rape

Further empirical findings on the causative role of pornography in rape

Conclusion

Endnotes

References

Acknowledgements

INTRODUCTION: WHAT IS PORNOGRAPHY?

Proponents of the anti-pornography-equals-censorship school deliberately obfuscate any distinction between erotica and pornography, using the term erotica for all sexually explicit materials [1] . In contrast, anti-pornography feminists consider it vitally important to distinguish between pornography and erotica, and support or even advocate erotica.

Although women's bodies are the staple of adult pornography, it is important to have a gender neutral definition that encompasses gay pornography, as well as child pornography. Animals are also targets of pornographic depictions. Hence, I define pornography as material that combines sex and/or the exposure of genitals with abuse or degradation in a manner that appears to endorse, condone, or encourage such behavior.

This article will focus on adult male heterosexual pornography because most pornography is produced for this market and because males are the predominant abusers of women. I define heterosexual pornography as material created for heterosexual males that combines sex and/or the exposure of genitals with the abuse or degradation of females in a manner that appears to endorse, condone, or encourage such behavior.

Erotica refers to sexually suggestive or arousing material that is free of sexism, racism, and homophobia, and respectful of all human beings and animals portrayed. This definition takes into account that humans are not the only subject matter of erotica. For example, I remember seeing a short award-winning erotic movie depicting the peeling of an orange. The shapes and coloring of flowers or hills can make them appear erotic. Many people find Georgia O'Keeffe's paintings erotic. But erotica can also include overtly or explicitly sexual images.

The definiton's requirement of non-sexism means that the following types of material qualify as pornography rather than erotica: sexually arousing images in which women are consistently shown naked while men are clothed or in which women's genitals are displayed but men's are not; or in which men are always portrayed in the initiating, dominant role. An example of sexualized racism which pervades pornography entails depictions of women that are confined to young, white bodies fitting many white men's narrow concept of beauty, i.e., very thin, large-breasted, and blonde.

Canadian psychologists Charlene Senn and Lorraine Radtke found the distinction between pornography and erotica to be significant and meaningful to female subjects in an experiment which they conducted. After slides had been categorized as violent pornography, non-violent pornography (sexist and dehumanizing), or erotica (non-sexist and non-violent), these researchers found that the violent and non-violent images had a negative effect on the mood states of their women subjects, whereas the erotic images had a positive effect (1986, pp. 15-16; also see Senn, 1993). Furthermore, the violent images had a greater negative impact than the non-violent pornographic images [2] . This shows that a conceptual distinction between pornography and erotica is both meaningful and operational.

The term abusive sexual behavior in my definition refers to sexual conduct that ranges from derogatory, demeaning, contemptuous, or damaging to brutal, cruel, exploitative, painful, or violent. Degrading sexual behavior refers to sexual conduct that is humiliating, insulting, and/or disrespectful; for example, urinating or defecating on a woman, ejaculating in her face, treating her as sexually dirty or inferior, depicting her as slavishly taking orders from men and eager to engage in whatever sex acts men want, or calling her insulting names while engaging in sex, such as bitch, cunt, nigger, whore.

Note the abuse and degradation in the portrayal of female sexuality in Helen Longino's description of typical pornographic books, magazines, and films:

Women are represented as passive and as slavishly dependent upon men. The role of female characters is limited to the provision of sexual services to men. To the extent that women's sexual pleasure is represented at all, it is subordinated to that of men and is never an end in itself as is the sexual pleasure of men. What pleases women is the use of their bodies to satisfy male desires . While the sexual objectification of women is common to all pornography, women are the recipients of even worse treatment in violent pornography, in which women characters are killed, tortured, gang-raped, mutilated, bound, and otherwise abused, as a means of providing sexual stimulation or pleasure to the male characters. (Longino, 1980, p. 42)

What is objectionable about pornography, then, is its abusive and degrading portrayal of females and female sexuality, not its sexual content or explicitness.

A particularly important feature of my definition of pornography is the requirement that it appears to endorse, condone, or encourage abusive sexual desires or behaviors . These attributes differentiate pornography from materials that include abusive or degrading sexual behavior for educational purposes. Movies such as "The Accused," and "The Rape of Love," for example, present realistic representations of rape with the apparent intention of helping viewers to understand the reprehensible nature of rape, and the agony experienced by rape victims. I have used the expression "it appears to" instead of "it is intended to" endorse, condone, or encourage sexually abusive desires or behavior to avoid the difficult, if not impossible, task of establishing the intentions of producers.

My definition differs from most definitions which focus instead on terms like "obscenity" and "sexually explicit materials." It also differs from the one I have used before, which limited pornography to sexually explicit materials (Russell, 1988). I decided to avoid the concept "sexually explicit" because I could not define it to my satisfaction. In addition, I chose to embrace a long-standing feminist tradition of including in the notion of pornography all types of materials that combine sex and/or genital exposure with the abuse or degradation of women. Members of WAVPM (Women Against Violence in Pornography and Media), for example, used to refer to record covers, jokes, ads, and billboards as pornography when they were sexually degrading to women, even when nudity or displays of women's genitals were not portrayed (Lederer, 1980).

Some people may object that feminist definitions of pornography that go beyond sexually explicit materials differ so substantially from common usage that they make discussion between feminists and non-feminists confusing. First of all, however, there is no consensus on definitions among non-feminists or feminists. Some feminists, for example, do include the concept of sexual explicitness as a defining feature of pornography. Andrea Dworkin and Catharine MacKinnon define pornography as "the graphic sexually explicit subordination of women through pictures and/or words" (1988, p. 36). They go on to spell out nine ways in which this overall definition can be met, for example, "(i) women are presented dehumanized as sexual objects, things, or commodities." James Check (1985) uses the term sexually explicit materials instead of pornography, presumably in the hope of bypassing the many controversies associated with the term pornography. But these scholars have not, to my knowledge, defined what they mean by sexually explicit materials.

Sometimes there can be a good reason for feminists to employ the same definition as non-feminists. For example, in my study of the prevalence of rape, I used a very narrow, legal definition of rape because I wanted to be able to compare the rape rates obtained in my study with those obtained in government studies. Had I used a broader definition that included oral and anal penetration, for example, my study could not have been used to show how grossly flawed the methodology of the government's national surveys are in determining meaningful rape rates.

But if there is no compelling reason to use the same definition as that used by those with whom one disagrees, then it makes sense to define a phenomenon in a way that best fits feminist principles. As my objection to pornography is not that it shows nudity or different methods of sexual engagement, I see no reason to limit my definition to sexually explicit material. Unlike MacKinnon and Dworkin, who sought to formulate a definition that would be the basis for developing a new law on pornography, I have not been constrained by the requirements of law in constructing mine.

My definition of pornography does not include all the features that commonly characterize such material since I believe that concise definitions are preferable to complex or lengthy definitions. Pornography, for example, frequently depicts females, particularly female sexuality, inaccurately. "Pornography Tells Lies About Women" declared a bold red and black sticker designed by Women Against Violence in Pornography and Media to deface pornography. It has been shown, for example, that pornography consumers are more likely to believe that unusual sexual practices are more common than they really are (Zillmann, 1989). These distortions often have serious consequences. Some viewers act on the assumption that the depictions are accurate, and presume that there is something wrong with females who do not behave like those portrayed in pornography. This can result in verbal abuse or physical abuse, including rape, by males who consider that they are entitled to the sexual goodies that they want or that they believe other men enjoy.

Sexual objectification is another common characteristic of pornography. It refers to the portrayal of human beings -- usually women -- as depersonalized sexual things, such as "tits, cunt, and ass," not as multi-faceted human beings deserving equal rights with men . As Susan Brownmiller so eloquently noted, [In pornography] our bodies are being stripped, exposed, and contorted for the purpose of ridicule to bolster that "masculine esteem" which gets its kick and sense of power from viewing females as anonymous, panting playthings, adult toys, dehumanized objects to be used, abused, broken and discarded. (1975, p. 394)

However, the sexual objectification of females is not confined to pornography. It is also a staple of mainstream movies, ads, record covers, songs, magazines, television, art, cartoons, literature, pin-ups, and so on, and influences the way that many males learn to see women and even children. This is why I have not included it as a defining feature of pornography.

INCONSISTENCIES IN DEFINITIONS

Many people have talked or written about the difficulty of defining pornography and erotica, declaring that "one person's erotica is another person's pornography." This statement is often used to ridicule an anti-pornography stance. The implication is that if there is no consensus on a definition of pornography, its effects cannot be examined.

Yet there is no consensus on the definitions of many phenomena. Rape is one example. Legal definitions of rape vary considerably in different states. The police often have their own definitions, which may differ from legal definitions. If a woman is raped by someone she knows, for example, the police often "unfound" [3] the case because they are skeptical about most acquaintance and date rapes. Hence, such crimes are rarely investigated. This practice certainly has no basis in the law.

If rape is defined as forced intercourse or attempts at forced intercourse, the problem of figuring out what exactly constitutes force remains. How does one measure it? What is the definition of intercourse? Does it include oral and anal intercourse, intercourse with a foreign object, or digital penetration, or is it defined only as vaginal penetration by the penis? How much penetration is necessary to qualify as intercourse? How does one determine if an attempt at rape or some lesser sexual assault has occurred? How does one deal with the fact that the rapist and even the rape survivor quite often do not believe that a rape occurred, even when the incident matches the legal definition of rape? Many rapists, for example, do not consider that forcing intercourse on an unwilling woman qualifies as rape because they think the woman's "no" actually means "yes." Many women think they have not been raped when the perpetrator is their husband or lover, even though the law in most states defines such acts as rape. Fortunately, few people argue that, because rape is so difficult to define and there is no consensus on the best definition of it, it should therefore not be considered a heinous and illegal act.

Similarly, millions of court cases have revolved around arguments as to whether a killing constitutes murder or manslaughter [4] . No one argues that killing should not be subject to legal sanctions just because it takes a court case to decide this question.

In contrast, the often-quoted statement of one judge -- that although he could not necessarily define pornography, he could recognize it when he saw it -- is frequently cited to support the view that pornography is self-evident or entirely in the eye of the beholder. Many people have argued that because there is no consensus on how to define pornography and/or because it can be difficult to determine whether or not the pornographic label is appropriate in particular cases, pornography should therefore not be subject to legal restraint, or even opprobrium.

It is interesting to note that lack of consensus did not prove to be an obstacle in making pictorial child pornography illegal. This makes it clear that the difficulty of defining pornography is a strategy employed by its apologists in their efforts to derail their opponents by making their work appear futile.

THE CONTENT OF PORNOGRAPHY

"I've seen some soft-porn movies, which seem to have the common theme that a great many women would really like to be raped, and after being thus 'awakened to sex' will become lascivious nymphomaniacs. That... provides a sort of rationale for rape: 'they want it, and anyway, it's really doing them a favor'" -- Male respondent, Hite, 1981, p. 787.

Don Smith did a content analysis of 428 "adults only" paperbacks published between 1968 and 1974. His sample was limited to books that were readily accessible to the general public in the United States , excluding paperbacks that are usually available only in so-called adult bookstores (1976). He reported the following findings:

  • One-fifth of all the sex episodes involved completed rapes.
  • The number of rapes increased with each year's output of newly published books.
  • Of the sex episodes, 6% involved incestuous rape. The focus in the rape scenes was almost always on the victim's fear and terror, which became transformed by the rape into sexual passion. Over 97% of the rapes portrayed in these books resulted in orgasm for the victims. In three-quarters of these rapes, multiple orgasm occurred.

A few years later, Neil Malamuth and Barry Spinner undertook a content analysis to determine the amount of sexual violence in cartoons and pictorials in Penthouse and Playboy magazines from June 1973 to December 1977 (1980). They found that:

  • By 1977, about 5% of the pictorials and 10% of the cartoons were sexually violent.
  • Sexual violence in pictorials (but not in cartoons) increased significantly over the five-year-period, "both in absolute numbers and as a percentage of the total number of pictorials."
  • Penthouse contained over twice the percentage of sexually violent cartoons as Playboy (13% vs. 6%).

In another study of 1,760 covers of heterosexual magazines published between 1971 and 1980, Park Dietz and Barbara Evans reported that bondage and confinement themes were evident in 17% of them (1982).

Finally, in a more recent content analysis of videos in Vancouver, Canada, T.S. Palys found that 19% of all the scenes in a sample of 150 sexually-oriented home video involved aggression, and 13% involved sexual aggression (1986, pp. 26-27).

Of all the sexually aggressive scenes in the "adult" videos, 46% involved bondage or confinement; 23%, slapping, hitting, spanking, or pulling hair; 22%, rape; 18%, sexual harassment; 4%, sadomashochism; and 3%, sexual mutilation. In comparison, 38% of all the sexually aggressive scenes in the triple-X videos involved bondage or confinement; 33%, slapping, hitting, spanking, or pulling hair; 31%, rape; 17%, sexual harassment; 14%, sadomasochism; and 3%, sexual mutilation (1986, p. 31).

While Palys' analysis focuses largely on the unexpected finding that "adult" videos "have a significantly greater absolute number of depictions of sexual aggression per movie than triple-X videos, "the more relevant point here is that violence against women in both types of pornographic videos is quite common, and that rape is one of the more prevalent forms of sexual violence depicted. Moreover, I would expect a comparable content analysis of videos in the United States to reveal more rape and other sexual violence than was found in this Canadian study, as the Canadian government has played a more active role than the U.S. government in trying to restrict the most abusive categories of pornography.

Palys did not find an increase in the amount of sexual violence portrayed in these videos over time. However, as he points out, it was not clear whether this was because some proprietors had become sensitized to issues of sexual violence as a result of protests by Canadian women, or whether they hoped to avoid protests by selecting less violent fare in recent years (1986, p. 34).

In a comparison of the contents of sexual and non-sexual media violence, Malamuth (1986) points out the following important differences between them:

  • While the victim is usually female in pornography, he is generally male in non-sexual portrayals of violence on television (p. 5).
  • "Victims of nonsexual aggression are usually shown as outraged by their experience and intent on avoiding victimization. They, and at times the perpetrators of the aggression, suffer from the violence" (p. 6). In contrast, "when sexual violence is portrayed, there is frequently the suggestion that, despite initial resistance, the victim secretly desired the abusive treatment and eventually derived pleasure from it" (p.6).
  • Unlike nonsexual violence, pornography is designed to arouse males sexually. Such arousal "might result in subliminal conditioning and cognitive changes in the consumer by associating physical pleasure with violence. Therefore, even sexual aggression depicted negatively may have harmful effects because of the sexual arousal induced by the explicitness of the depiction" (pp. 6-7).

In summary: pornography has become increasingly violent over the years--at least in the non-video media--and it presents an extremely distorted view of rape and sexuality.

THE CIRCULATION OF MAJOR PORNOGRAPHY MAGAZINES

The numbers of paid subscribers for selected pornography magazines are (The National Research Bureau, 1992):

Penthouse - 4,600,000
Playboy - 3,600,000
Hustler - 1,200,000
Gallery - 500,000
Oui - 395,000
Chic - 90,000

Studies conducted by many magazines indicate a pass-along readership of between two and five copies. This number is probably more like five copies for pornographic magazines because many people are embarrassed to buy their own copies, while minors may not be permitted to purchase copies by their families or by the sellers. Assuming five copies per pornographic magazine, the estimated readership of the six publications mentioned above adds up to approximately 52,000,000. This total does not include the many non-subscribers who purchase copies directly from the numerous outlets that carry them, and other persons who have access to these copies. On the other hand, the total also assumes that subscribers only subscribe to one of these pornographic magazines. Perhaps these two serious inaccuracies more or less cancel each other out.

PORNOGRAPHY AS VIOLENCE AGAINST WOMEN

"I don't need studies and statistics to tell me that there is a relationship between pornography and real violence against women. My body remembers."    -- Woman's testimony, 1983.

"The relationship between particularly sexually violent images in the media and subsequent aggression...is much stronger statistically than the relationship between smoking and lung cancer."    -- Edward Donnerstein, 1983.

When addressing the question of whether or not pornography causes rape, as well as other forms of sexual assault and violence, many people fail to acknowledge that the actual making of pornography sometimes involves, or even requires, violence and sexual assault. Testimony by women and men involved in such activity provide numerous examples of this ( Public Hearings , 1983; Attorney General's Commission , 1986).

In one case, a man who said he had participated in over a hundred pornographic movies testified at the Commission hearings in Los Angeles as follows: "I, myself, have been on a couple of sets where the young ladies have been forced to do even anal sex scenes with a guy which [sic] is rather large and I have seen them crying in pain" (1986, p. 773).

Another witness testified at the Los Angeles hearings as follows:

"Women and young girls were tortured and suffered permanent physical injuries to answer publisher demands for photographs depicting sadomasochistic abuse. When the torturer/photographer inquired of the publisher as to the types of depictions that would sell, the torturer/photographer was instructed to get similar existing publications and use the depictions therein for instruction. The torturer/photographer followed the publisher's instructions, tortured women and girls accordingly, and then sold the photographs to the publisher. The photographs were included in magazines sold nationally in pornographic outlets" (1986, pp. 787-788).

Peter Bogdanovich writes of Playboy "Playmate of the Year" Dorothy Stratten's response to her participation in a pornographic movie: "A key sequence in Galaxina called for Dorothy to be spread-eagled against a cold water tower. The producers insisted she remain bound there for several hours, day and night. In one shot of the completed film, the tears she cries are real" (1984, p. 59). Although this movie was not made for the so-called adult movie houses, I consider it pornography because of its sexist and degrading combination of sexuality and bondage.

A letter was sent to the United States Attorney General's Commission on Pornography reporting that: "A mother and father in South Oklahoma City forced their four daughters, ages ten to seventeen, to engage in family sex while pornographic pictures were being filmed" (1986, p. 780).

It should not be assumed that violence occurs only in the making of violent pornography. For example, although many people would classify the movie Deep Throat as non-violent pornography because it does not portray rape or other violence, we now know from Linda (Lovelace) Marchiano's two books ( Ordeal , 1980, and Out of Bondage , 1986), as well as from her public testimony (for example, Public Hearings , 1983), that this film is in fact a documentary of her rape from beginning to end.

Many people, including some of the best researchers on pornography in this country, ignore the violence used by pornographers in the manufacturing of these misogynist materials (for example, see Malamuth and Donnerstein, 1984). Catharine MacKinnon points out the frequently forgotten fact that "before pornography became the pornographer's speech it was somebody's life" (1987, p. 179). Testimony presented at the hearings held on the anti-pornography civil rights ordinance in Minneapolis , Minnesota in 1983, provides powerful evidence for the truth of this statement ( Public Hearings , 1983; Russell, 1993a).

Because it is important to know the proclivities and the state of mind of those who read and view pornography, I will start by discussing some of the data on males' propensity to rape.

MALES' PROPENSITY TO RAPE [5]

"Why do I want to rape women? Because I am basically, as a male, a predator and all women look to men like prey. I fantasize about the expression on a woman's face when I 'capture' her and she realizes she cannot escape. It's like I won, I own her."    -- Male respondent, Shere Hite, 1981, p. 718.

Research indicates that 25% to 30% of male college students in the United States and Canada admit that there is some likelihood they would rape a woman if they could get away with it [6] . In the first study of males' self-reported likelihood to rape that was conducted at the University of California at Los Angeles, the word rape was not used; instead, an account of rape (described below) was read to the male subjects, of whom 53% said there was some likelihood that they would behave in the same fashion as the man described in the story, if they could be sure of getting away with it (Malamuth, Haber, and Feshbach, 1980). Without this assurance, only 17% said they might emulate the rapist's behavior. It is helpful to know exactly what behavior these students said they might emulate:

Bill soon caught up with Susan and offered to escort her to her car. Susan politely refused him. Bill was enraged by the rejection. "Who the hell does this bitch think she is, turning me down," Bill thought to himself as he reached into his pocket and took out a Swiss army knife. With his left hand he placed the knife at ther throat. "If you try to get away, I'll cut you," said Bill. Susan nodded her head, her eyes wild with terror.

The story then depicted the rape. There was a description of sexual acts with the victim continuously portrayed as clearly opposing the assault (Malamuth, Haber, and Feshbach, 1980, p. 124).

In another study, 356 male students were asked: "If you could be assured that no one would know and that you could in no way be punished for engaging in the following acts, how likely, if at all, would you be to commit such acts?" (Briere and Malamuth, 1983). Among the sexual acts listed were the two of interest to these researchers: "forcing a female to do something she really didn't want to do" and "rape" (Briere and Malamuth, 1983). Sixty percent of the sample indicated that under the right circumstances, there was some likelihood that they would rape, use force, or do both.

In a study of high school males, 50% of those interviewed believed it acceptable "for a guy to hold a girl down and force her to have sexual intercourse in instances such as when 'she gets him sexually excited' or 'she says she's going to have sex with him and then changes her mind'" (Goodchilds and Zellman, 1984).

Some people dismiss the findings from these studies as "merely attitudinal." But this conclusion is incorrect. Malamuth has found that male subjects' self-reported likelihood of raping is correlated with physiological measures of sexual arousal by rape depictions. Clearly, erections cannot be considered attitudes. More specifically, the male students who say they might rape a woman if they could get away with it are significantly more likely than other male students to be sexually aroused by portrayals of rape. Indeed, these males were more sexually aroused by depictions of rape than by mutually consenting depictions. And when asked if they would find committing a rape sexually arousing, they said yes (Donnerstein, 1983, p. 7). They were also more likely than the other male subjects to admit to having used actual physical force to obtain sex with a woman. These latter data were self-reported, but because they refer to actual behavior they too cannot be dismissed as merely attitudinal.

Looking at sexual arousal data alone (as measured by penile tumescence), not its correlation with self-reported likelihood to rape, Malamuth reports that:

  • About 10% of the population of male students are sexually aroused by"very extreme violence" with "a great deal of blood and gore" that "has very little of the sexual element"(1985, p.95)
  • About 20% to 30% show substantial sexual arousal by depictions of rape in which the woman never shows signs of arousal, only abhorrence (1985, p.95).
  • About 50% to 60% show some degree of sexual arousal by a rape depiction in which the victim is portrayed as becoming sexually aroused at the end (personal communication, August 18, 1986).

Given these findings, it is hardly surprising that after reviewing a whole series of related experiments, Neil Malamuth concluded that "the overall pattern of the data is...consistent with contentions that many men have a proclivity to rape" (1981b, p. 139).

Shere Hite (1981, p. 1123) provides data on men's self-reported desire to rape women from the general population outside the university laboratory. Distinguishing between those men who answered the question anonymously and those who revealed their identities, Hite reports the following answers by the anonymous group to her question "Have you ever wanted to rape a woman?": 46% answered "yes" or "sometimes," 47% answered "no," and 7% said they had fantasies of rape, but presumably had not acted them out--yet (1981, p. 1123).

Surprisingly, the non-anonymous group of men reported slightly more interest in rape; 52% answered "yes" or "sometimes," 36% answered "no," and 11% reported having rape fantasies. (Could it be that many men don't think there is anything wrong with wanting to rape women?) Although Hite's survey was not based on a random sample, and therefore, like the experimental work cited above, cannot be generalized to the population at large, her finding that roughly half of the more than 7,000 men she surveyed admitted to having wanted to rape a woman on one of more occasions suggests that men's propensity to rape is probably very widespread indeed. It is interesting that Hite's percentages are comparable to my finding that 44% of a probability sample of 930 adult women residing in San Francisco reported having been the victim of one or more rapes or attempted rapes over the course of their lives (Russell, 1984).

The studies reviewed here suggest that at this time in the history of our culture, a substantial percentage of the male population has some desire or proclivity to rape females. Indeed, some males in this culture consider themselves deviant for not wanting to rape a woman. For example, the answer of one of Hite's male respondents was: "I have never raped a woman, or wanted to. In this I guess I am somewhat odd . Many of my friends talk about rape a lot and fantasize about it. The whole idea leaves me cold" (1981, p. 719; emphasis added). Another replied: "I must admit a certain part of me would receive some sort of thrill at ripping the clothes from a woman and ravishing her. But I would probably collapse into tears of pity and weep with my victim, unlike the traditional man " (1981, p. 719; emphasis added).

Some feminists are among the optimists who believe that males' proclivity to rape is largely a consequence of social and cultural forces, not biological ones. And, of course, having a desire to behave in a certain way is not the same as actually behaving in that way, particularly in the case of antisocial behavior. Nevertheless, it is helpful to have this kind of baseline information on the desire and predispositions of males, who are, after all, the chief consumers of pornography.

A THEORY ABOUT THE CAUSATIVE ROLE OF PORNOGRAPHY

Sociologist David Finkelhor has developed a very useful multicausal theory to explain the occurrence of child sexual abuse (1984). According to Finkelhor's model, in order for child sexual abuse to occur, four conditions have to be met. First, someone has to want to abuse a child sexually. Second, this person's internal inhibitions against acting out this desire have to be undermined. Third, this person's social inhibitions against acting out this desire (e.g., fear of being caught and punished) have to to be undermined. Fourth, the would-be perpetrator has to undermine or overcome his or her chosen victim's capacity to avoid or resist the sexual abuse.

According to my theory, these conditions also have to be met in order for rape, battery, and other forms of sexual assault on adult women occur (Russell, 1984). Although my theory can be applied to other forms of sexual abuse and violence against women besides rape, the following formulation of it will focus on rape because most of the research relevant to my theory has been on this form of sexual assault.

In Sexual Exploitation (1984) I suggest many factors that may predispose a large number of males in the United States to want to rape or assault women sexually. Some examples discussed in this book are (1) biological factors, (2) childhood experiences of sexual abuse, (3) male sex-role socialization, (4) exposure to mass media that encourage rape, and (5) exposure to pornography. Here I will discuss only the role of pornography.

Although women have been known to rape both males and females, males are by far the predominant perpetrators of sexual assault as well as the biggest consumers of pornography. Hence, my theory will focus on male perpetrators.

A diagrammatic presentation of this theory appears in Figure 1. As previously noted, in order for rape to occur, a man must not only be predisposed to rape, but his internal and social inhibitions against acting out this rape desires must be undermined. My theory, in a nutshell, is that pornography (1) predisposes some males to want to rape women and intensifies the predisposition in other males already so predisposed; (2) undermines some male's internal inhibitions against acting out their desire to rape; and (3) undermines some male's social inhibitions against acting out their desire to rape.

THE MEANING OF "CAUSE"

Given the intense debate about whether or not pornography plays a causal role in rape, it is surprising that so few of those engaged in it ever state what they mean by "cause." A definition of the concept of simple causation follows:

An event (or events) that precedes and results in the occurrence of another event. Whenever the first event (the cause) occurrs, the second event (the effect) necessarily or inevitably follows. Moreover, in simple causation the second event does not occur unless the first event has occurred. Thus the cause is both the SUFFICIENT CONDITION and the NECESSARY CONDITION for the occurrence of the effect (Theodorson and Theodorson, 1979).

By this definition, pornography clearly does not cause rape, as it seems safe to assume that some pornography consumers do not rape women, and that many rapes are unrelated to pornography. However, the concept of multiple causation is more relevant to this question than simple causation.

With the conception of MULTIPLE CAUSATION, various possible causes may be seen for a given event, any one of which may be a sufficient but not necessary condition for the occurrence of the effect, or a necessary but not sufficient condition. In the case of multiple causation, then, the given effect may occur in the absence of all but one of the possible sufficient but not necessary causes; and, conversely, the given effect would not follow the occurrence of some but not all of the various necessary but not sufficient causes (Theodorson and Theodorson, 1979).

As I have already presented the research on males' proclivity to rape, I will next discuss some of the evidence that pornography can be a sufficient (though not necessary) condition for males to desire to rape (see the list on the far right of Figure 1). I will mention when the research findings I describe apply to violent pornography and when to pornography that appears to the viewer to be non-violent.

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